Dream Theater, “Parasomnia” (2025)

Dream Theater, Parasomnia (2025)

Very cool to see Mike Portnoy returning to Dream Theater after recently seeing him playing on a Hello Kitty drumset or playing along to a Nickelback track over at Drumeo. I hadn’t heard a Dream Theater on release for a long time, which isn’t so much a comment on their quality but rather an indictment of my listening habits. And after a few listens, I’m coming around on this one.

The first listen was on the home system, where I thought it came across as trying a little too hard to be Rush, and kinda tuned it out after placing it in that box. But after giving it the authentic Rust Bucket Listen, placing it in the stock CD player of my grungy second-hand car, it sounds much better, and my rating of it has improved.

The track that did it for me was track 5, “Midnight Messiah”, which is probably odd for an album of this length (where the standout comes halfway through). But I like the groove and the riffs, and found it approachable enough that it gave me an “in” to check out the music. I like the instrumental opener “In the Arms of Morpheus”, as well as “Bend the Clock”, and “A Broken Man” isn’t too bad either. The 19 minute final track “The Shadow Man Incident” is still a challenge, but as a whole, the album sits much better as some ambient music in the background at the house than others in my collection.

Which is a reminder that location matters, even for music, and that sometimes a context shift is necessary. 8/10

Dynazty, “Game of Faces” (2025)

Dynazty, Game of Faces (2025)

Caught this on release day due to the lead single “Devilry of Ecstasy” showing up in my feed due to the glory of the Algorithm. (Praise the Omnissiah). And this time, the algorithm (and the band) hit it out of the park. I was stoked to find that my FLRS had a copy, as I had looked into pre-ordering via the Nuclear Blast label’s website, but the shipping was silly expensive at sub-$1000 levels. And after giving this the proper test, I was surprised to see how much this exceeded my already high expectations.

I haven’t heard this band before, but this is fantastic: melodic power metal with lush harmonies and soaring guitars. This feels like the metal soundtrack to a Broadway musical, and I mean that as the highest compliment: this is fantastically catchy and listenable.

The album starts off with three straight bangers: “Call of the Night”, “Game of Faces”, and “Devilry of Ecstasy”, and it doesn’t let up. The opening tracks are as good a start to an album since last year’s Invincible Shield by the almighty Judas Priest. The album is polished and well-produced and sounds great to listen to. If I need to get jazzed up, I’ll just throw this in the stereo for the ride.

The one drawback might be a bit of the sameness of the later tunes. Still well done, but perhaps lacking the furious kick of the openers. That’s not a knock; I’d be happy to listen to any track if it came up in the shuffle. Solid all around. Highly recommended. 9/10