Alien: Romulus (2024)

Also a love story?

Having sworn off the extended Alien franchise after finding myself hating both Prometheus and Alien: Covenant back-to-back, I was surprised to find me watching this on the opening weekend. Good word of mouth from a few friends whose opinions I trust had me checking it out, in IMAX no less, in a late afternoon matinee.

And surprise, it’s good!

Now, the challenge with any movie in a franchise with 45 years of history is to deal with the accumulated weight of expectations, of both the hardcore fans and casual movie-going public, and even those lapsed fans like myself. So, to achieve some modest success in creating a movie that is genuinely terrifying, and expands on the universe, fitting in as a piece in the larger story, and leaving room for more development later, is no easy task. Well done on all those involved.

That isn’t to say it’s perfect: there are a few scenes that feel like level design in a video game adaptation, which has been an ongoing trend in movies since at least the Star Wars prequels. It’s the curse of cinema in the new millennium. And a couple notable lines that tie too close to the past movies in the franchise fell flat, not having enough room to breathe. But these quibbles aside, it was a fine film, that never felt like it dragged, and kept the tension up throughout.

There’s room to expand the Alien universe off this; more with Andy, obviously. But I’d also like to see a wider universe, beyond the Weyland-Yutani corporation, and see what other approaches to outer space there might be. Because in a galaxy where the Xenomorph is a solution, what kind of problems might lurk out there?

Deadpool & Wolverine (2024)

A love story?

Knew I was going to see this one pretty early on. Despite my issues with previous Ryan Reynolds vehicles, his work in the first two Deadpool movies was great, and as the initial teasers started showing up, I started actively not watching any of the other trailers that were showing up everywhere online. (I’ve had this practice of nescience for a while, even though I haven’t named it until recently.) Arranged to see it with a few friends, and bought tickets ahead of time, though it was the into the second week of release before we caught it. I went in pretty much blind.

And really enjoyed it!

(There’s something to be said for actively avoiding the spoilers and the level of enjoyment of a given work.)

The movie lived up to the hype, a frenetic bundle of kinetic energy that only slowed down when it had to interact with the TVA HQ, in it’s studio mandated ties to “metaplot” and the wider MCU and streaming series (which perhaps says something about the issues with that part of the franchise, that it’s such an anchor that it can drag the momentum of Deadpool to a halt). But the jokes landed, the violence was cartoony (in the way of Warner Brothers, not Disney), the cameos were a genuine delightful surprise, and the 4th wall was repeatedly broken.

With a wink and a smile. 😉

Deadpool’s charm is that the character seems aware. I saw Deadpool with someone who hadn’t seen the previous films and had skipped most of the larger MCU, and they found Deadpool acting as their voice in the movie, asking the questions they wanted asked (what is Gambit saying?) and pointing out the absurdity of it (“til you’re 90!”). Deadpool’s superpower is being able to break the 4th wall, but that break goes both ways, bringing the audience into the film to enjoy the movie alongside him. And it’s that joy that is infectious, and makes the movie fun.

With Deadpool‘s success as the highest-grossing R-rated film ever (at the time I’m writing this), I fear we’ll see a slate of movies leaning onto the violence and profanity in the hopes of the chasing that same success. But in doing so they’ll be learning the wrong lessons from the film.

What have we learned?

  • Move fast
  • Have fun
  • Keep it short
  • Don’t worry about explaining the plot (too much – show don’t tell)
  • Realize the whole premise is ridiculous
  • Invite the audience in
  • Enjoy!

Seems simple enough. Hope we see more like it.

Implausipod on Peertube too

Seeing as the podcast is available on YouTube, it seemed logical to mirror that content on Peertube as well. PeerTube is a video player that supports the ActivityPub protocol that powers the Fediverse, that we’ve talked about in various podcasts and blog posts before. Using the PeerTube also lets us use the POSsE (Post Once, Syndicate Everywhere) philosophy for content creation that we’ve mentioned before too, so if YouTube or other platforms become inhospitable, it is still possible to keep one’s stuff and move.

The ImplausiPod on PeerTube can be found here. We’ll also upload AppendixW videos to a separate channel as those become available. And as we create more general videos, we have a home for those too.

Implausipod on Youtube

With Google shifting its podcasts from Google Podcasts (which is now shut down) over to YouTube, I’ve had to take some time and make sure we were up-to-date on the old episodes as I was shifting them over.

You can find the channel here under the podcasts tab: Implausipod on YouTube. I’ll update that in a few days.

As of 2024-07-19, I’m waiting to post the next episode (34!) before making this one fully live, so there is some new content with it. More to come!

Transcript update

Uploaded about 2 hours worth of transcripts to the podcast today. Even with a dictations program, it still takes a bit of time for review and correction.

With those three episodes done (22, 23, and 24) that gets the podcast back to being fully transcribed. With the recently announced changed to Apple Podcasts, with the automatic transcription happening, I wanted to get ahead of it and make sure our text is included with every episode.

I’m not going to fill the main channel of the blog with the back transcripts, but will note they should be under the show-specific pages on the site here.

Allons-y!