AI Creativity

Can an AI be creative? Well, of course it can. Can the AI Tools and Generative tech like ChatGPT be creative? Maybe. They can assist in creativity, and have the opportunity to come up with novel solutions, so the potential is there.

We can see how via the following axioms:

One: there is a lot of stuff out there
Two: Creativity can come from bringing something new into the world (which is rare) or recombining existing stuff in novel ways.
Three: AI can recombine existing stuff that faster, in ways that we had never thought of before
Four: A lot of the combinations will still suck though

Part of the reason is that humans will engage in a curation process at multiple steps during the act of creation, and this can weed out some combinations that we may consider (prematurely?) non-viable. No one is going to bother with a Battle of the Planets / Balenciaga AI meme, until a lot of other options are exhausted. (Or until I figure out how to do it.)

It’s likely the meme trend will have moved on to the next big thing (and it already has between when I started this post and when it got pushed out of the drafts; the Balenciaga meme was from 2023, I think) before the design space of the first one is exhausted. Nothing wrong with that. Maybe it’ll re-emerge years down the road, or maybe it’ll disappear completely, or maybe it’ll show up someplace cheugy like Facebook does with Minion memes.

Regardless, that curation step, that culling of boring, cheugy memes, can happen at multiple points along the path. Stuff might not get worked on because there’s little or no benefit either. A creator that’s creating an AI image meme is more likely to work on something that’ll get a lot of likes, or “engagement”, or whatever provides them that frisson of a dopamine hit when they create something that keeps them doing what they do.

My “Balenciaga of the Planets” bit from above is unlike to provide that for most, f’rex, so it may go unmade. The “Capitalist Realism” that pervades everything in the attention economy is going to shift development along certain lines that (may be) more “economically” rewarding, at least in the near term.

So there are always some constraints on creativity.

By the axiom’s above, Is it Cake is on par with Succession in terms of creativity. (yes, really!) Both copy the formats of other existing media. One is the fictionalized retelling of a family much like the Murdoch’s, and the other involves guessing if something is cake. Now, Succession is one of the best produced shows of all time. But just because something is well done, well crafted, does not inherently make it creative. Don’t confuse quality with creativity.

Something can be completely new to the world, but fail in execution. Just because something is novel doesn’t inherently make it good. Moxley force-feeding a handful of tacks to Matt Jackson was a novel spot. Stupid as hell though. Wardlow’s swanton on the ladder spot was also novel. And dumb. So was the Submission Daisy Chain in the title match. Novel, kinda obvious, neat that they went for it. Kinda mid. “Sports entertaining” at least. (And granted, now I’m trying to figure out which PPV this was, because Moxley just tried to dunk Darby Allin in a fishtank last weekend, and the lesson here is post your thoughts in a timely manner and don’t leave stuff in drafts for years on end.)

But creativity doesn’t equal quality. A lot of new stuff sucks, and it can often take someone to pick it back up and do it in a new context, or refine the process to make it really come alive.

Except for Is it Cake? Clear winner right out of the gate. How could you improve on it. Peak civilization right there.

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So, can AI be creative? Absolutely. As established, it’s possible to put together things in new ways that we wouldn’t have thought of. AI can come up with a lot of stuff, relatively quickly.

But output on it’s own isn’t a marker of creativity either. You can put out a lot of EFP (Extruded Fantasy Product) and it might not be very creative at all. Brandon Sanderson might be a creative writer, or he might just excel at writing big books. I dunno. Science Fiction Author Patrick F. Johnson may be a more creative writer. I’ve never seen them in the same room. There needs to be some output, obviously, for it to be recognized as creative, but a torrent of sewage is simply what it is. “What an incredible smell you’ve discovered.” Novel? Likely. Creative? Perhaps not…

Which gets us to the last point: can an AI be creative? Well, when one exists, then surely the answer is yes.As of October 21st, 2025, there are no known or revealed sentient AIs. But can a generative algorithm or LLM tool like ChatGPT be creative? They can assist in it, but they lack the agency or intentionality that would use to attribute the creative act to them wholly. They are an aid in poiesis, not auto-poietic. This is a good thing. Much of the fears about AI floating in the zeitgeist are of the potential of an auto-poietic AI.

But whether something is creative or not will not be judged by the AI. The criteria for whether something is new or not, novel or not, creative or not, will be the humans. “Creativity must…be seen not as something happening with a person but in the relationships within a system” (Csikszentmihalyi, p.36).


And those systems are our cybernetic machines that we spoke about the other week. Much like an artist with a pencil, or a brush, or camera, or any other tool for working media, our creativity is not diminished with the advent of AI, but expanded, able to grow in new ways.

Some of those ways allow us to do things that we have done previously faster, quicker, more efficiently. It also allows us to iterate through potential options, curate the results, and work on refining those results so they match our vision that much quicker as well. It’s easier to chase down rabbit holes when you match the rabbits for speed.

But as artists get more proficient with the AI tools, and the systems that they are situated in, we will see how they can be used in more creative ways. The defining works of a cultural form of media rarely come from the first few attempts, ground breaking though they may be. Superhero comics existed for decades, but some of the defining works in the form didn’t come until the 1980s, with Watchmen, The Dark Knight, Days of Future Past, Maus, and others. So too with film, and rock music, and video games. And AI Art will follow the same trend.

Right now, no one knows what it’s going to look like. And that’s fantastic!

Can’t wait to see what’s next.


Notes: as hinted at above, this post sat in the drafts for a bit, being originally written on May 30th, 2023. Mostly based on the wrestling reference, which apparently took place at AEW’s Double or Nothing card on May 28th, 2023.

Also, Is It Cake? was very much a thing of the moment, which has since passed. Up next, Competitive German Slicing Videos. (Seriously).

Also, see: Csikszentmihalyi, Mihaly (1996). Creativity: Flow and the Psychology of Discovery and Invention. New York: Harper Perennial.

WYCU Revised

With Predator: Killer of Killers coming out this weekend, I’ve started in the rewatch of the movies, beginning with 2022’s Prey (which is fantastic; more on this later). The prep has necessitated a slight revision to the WYCU timeline, which we talked about here.

Adding in the new releases, plus the Blade Runner franchise and the chronological year, and our WYCU now looks like this:

WCYU Chronology (revised)

TitlePublication Year‘VerseChrono YearChrono Order
Prometheus *2012A0?1
Prey2022P17192
Predator: Killer of Killers2025P1500/1800/19433
Predator1987P19874
Predator 21990P19975
Alien v Predator2004X20046
Alien v Predator: Requiem2007X20047
Predators2010P20108
The Predator2018P20189
Blade Runner1982B201910
Soldier1998B203611
Blade Runner 20492017B204912
Predator: Badlands***2025P???13
Prometheus **2012A209314
Alien: Covenant2017A210415
Alien: Earth2025A???16
Alien1979A212217
Alien: Romulus2024A214218
Aliens1986A217919
Alien31992A217920
Alien: Resurrection1997A238121

Predator: Badlands

If there is a better metaphor for 2025 than an alien hunter preying on humanity, well, it’s probably found over in an episode of Andor, but the Predator from the WYCU is a close second.

We were literally just talking about this as we were laying out our watch guide for the WYCU about a month ago, so imagine our glee when this showed up on the tubes:

So it looks like Predator: Badlands will be joining our rewatch of the WYCU taking place this summer. And while I originally had some plans to slot it in chronologically, with the November 7th release date just announced we may just have to circle back to it once we’re gotten through to the end of the Aliens part of the franchise.

(As always, we’ll see how those publication times go with the podcast.)

But right now: we are very, very hyped. RAWR!

New on the Bookshelf – April 2025

A number of titles have come in, from the usual used and remaindered sources. Let’s have a look, and capture the theme and reasons why I got them.

24/7, Jonathan Crary (2013)

We’ve mentioned this a few times before, most notably in the “Cult of No-Sleep” in Issue 7 of the Implausibility Newsletter back in February, but I didn’t have a hardcopy in hand. So when this showed up as a deal, I had to grab a copy. It’s an insightful book; we’ll do a few review here soon.


The Devil in the White City, Erik Larson, (2003)

A historical non-fiction look at the Chicago World’s Fair, intertwined with the account of a serial killer during the Gilded Age. I grabbed this due to a recent mention of it somewhere (I’ll blame BlueSky), and I’m curious to how it reads, even though I’m not really enthused to read serial killer fiction. To be honest, this might site on the TBR pile for a while…


It’s Complicated, danah boyd (2014)

boyd’s work looks at the intersection of youth and online spaces, and this work is a more recent summary of the some of her earlier work, arguing that youth actually do find meaningful interactions online (contra to a lot of the doomer narratives that are presented in mass media), and are using the tools in ways that suit their needs. As the title suggests though, there’s a lot more nuance to the topic than is largely thought. Looking forward to reading this.


American Cosmic, D.W. Pasulka, (2019)

This remaindered title looked interesting, an ethnographic study with those who believe in extraterrestrial intelligence, and how it is more mainstream of a belief that commonly suspected, and how media like the X-Files drives the spread and normalizes the assumptions. This ticks a lot of boxes for me, so I’m interested in checking it out.


Robot Proof, Joseph Aoun, (2018)

Written prior to the explosion in AI-related work in academia since the public introduction of ChatGPT and other LLMs, this book anticipates the coming changes to academia with the automation of education, and proposes where educators can focus their time and energy to ensure the students are prepared for what that future world looks like. I’m curious how much this overlaps with the elements of echanger we’ve already discussed.


Battlestar Galactica and Philosophy, Steiff and Tamplin, eds., (2008)

A rather lengthy anthology of articles on the theme of BSG and Philosophy. (There was a bunch of [Blank] and Phil books in the early 2000s, as I guess it sold books.) With the renewed focus on agentive robots and the push towards AGI by a number of companies, this showing up in the pile for $5 had a bit of serendipity to it, and I think it’s well worth another look.


Computing and Technology Ethics, Swiatek, Burton, Goldsmith, Mattei, Siler, eds., (2023)

Created as a textbook for a college class, this looks at key questions in ethics for a computer science class, and uses excerpts from several sci-fi stories to unpack them. I got it mostly for this last reason, as we’ve done similar things with the podcast and in our academic career, though not on this specific subject. Looking forward to a full read of this.


and Careless People, Sarah Wynn-Williams, (2025).

When I heard that promotion of this book was being suppressed by Meta, I figured it was worth grabbing a copy in case it eventually became harder to get. A memoir about the behind-the-scenes operations of Facebook in the pre-Meta era, this ended up being a collection of anecdotes and scenes that covered the authors time at the company. I was somewhat disappointed in it, as much I didn’t find anything really “new” or revealing, and spending that much time with the background of awful people wasn’t necessarily endearing either.


As always, as we get through them we’ll share the full review or notes about them in future posts.

UCSB Databases

Just a quick note, a link to self, a shared bookmark.

UC Santa Barbara A-Z Database

One of the challenges of drifting away from the academic institutions is the reduced access to academic work. This has impacted the material I’m able to draw on for research and reporting. So when a good open access database is available, such as the one provided by UC Santa Barbara, it’s nice to keep track of it, and in this case, share.

We’ll squirrel this away under the Research page for now, and add more updates to that as we go.